marketing & promotion
Your music needs to be found and heard. Your music needs to reach existing fans and new ones. Here's how.
- Some Tips on How To Get Found on iTunes
- Some Tips on How To Get Found on Napster
- Sell Your Music and Promote Yourself on iTunes
- Physical Press and Media Promotion
- More coming soon!
Some Tips on How To Get Found on iTunes
Congratulations! You worked with TuneCore and now your music has been placed into the iTunes Music Store(s) of your choice. The next trick is to get found. Remember, by using the iTunes "Search Music Store" tool, anyone can:
- Locate your music in the store
- View the album art
- See your band name and album name
- Listen to 30 seconds of any song on your album as a stream
- Buy individual songs or your entire album
The primary way to find music on iTunes is to use the Search Music Store function. Simply type in the name of an artist, album or song and look though the results until you find what you are looking for.
iTUNES AFFILIATE PROGRAM
With the free iTunes Affiliate Program, you can link and sell your own music (or anyone's else in the iTunes store) via any Web page or email. With each sale from iTunes that originates from your affiliate link, you will earn a 5% commission on all qualifying revenue generated (IMPORTANT: terms apply, so be sure to check them out). This means off of each qualifying sale, you will get paid a percentage of the money paid to iTunes by an iTunes customer, if that customer came from your affiliate link.
The affiliate program auto-generates links for you. All you have to do is place them on any Web page or within an email(s). It's a simple and very effective way to sell your music. After all, most people going to your home page or receiving your emails are already interested in your music and band.
To get started, click here: http://phobos.apple.com/WebObjects/MZSearch.woa/wa/itmsLinkMaker.
For more information on how to become an iTunes affiliate for free and how to use the program, visit http://www.apple.com/itunes/affiliates.
Back to topSome Tips on How To Get Found on Napster
If you want your album found on Napster, you can create a link that goes right to it. Put this link on any page, email, your Website, anywhere a fan might click! To get started, click here: Napster Music Links Program.
Back to topSell Your Music and Promote Yourself on iTunes
Once your music is in the iTunes store(s), there are some tricks you can do to allow people to discover your albums.
CREATE AN iMIX
An iMix is a playlist (that is, a list of songs) that you've chosen to publish and make available to others in the iTunes Music Store. You can only make a iMix playlist using the iTunes software.
To make a playlist, open your iTunes software and:
- Click on File and then select "New Playlist".
- Under the Source bar on the left, the words "New Playlist" will appear. You then need to name your playlist. The name you give it is how it will appear in the iTunes Music Store.
- Add songs to your playlist. You can click and drag songs from your iTunes library into your playlist, and/or you can also drag any song (even songs you don't own!) from the iTunes Music store into your playlist.
Here is a screen shot from iTunes showing an iMix:
In your iMix, we suggest placing at least two or three songs from your band and another ten or so from other bands with a large fan base. This way, your music will surface when a fan of the other band discovers your playlist. If fans click on your band name, it will take them to your iTunes page. If they double click on your song, it will stream for 30 seconds.
Make as many iMixes as you like, and have others make playlists with your music as well. Seed the iTunes Music store with many iMixes, the more the better. Use other bands and other music as a way to get discovered.
RATE THE iMIX
After you make and populate the iTunes Music store with iMixes, it's crucial to rate them. iTunes allows anyone to rate an iMix with between zero and five stars (see example below). The more stars the better. Have as many people as you can rate your iMix with five stars--the highest rating. High-rated playlists get more attention and more responses then low rated iMixes.
iMIX NOTES AND REVIEWS
Check out the "iMix Notes" field. Take a few moments to write something and describe/talk about your playlist. A great description combined with a high rating increases the odds someone will discover and check our your playlist (see IMPORTANT note below).
Remember, from any iMix, an iTunes customer can click directly to the album the song in the iMix appears on. Having positive, thoughtful reviews written about your album will significantly increases the possibility that a new person will buy a song or the entire album.
Have as many people as possible write positive reviews about your album. Encourage them to be specific and thoughtful: make sure they say more than "This album rocks." Heartfelt, well-written reviews drive sales. Note also that the reviews themselves can be rated. Make sure each positive review about your album gets rated with five stars as well.
IMPORTANT: An iMix normally needs to have 5 ratings before it will show up on an artist or album page. EXCEPTION: If there are iMixes with no ratings, they will appear, but as soon as one gets 5 ratings, all others will disappear. Note that only the highest rated are shown, so those with poor ratings can sometimes drop off.
Quick Tip: You can write whatever you like in the review section--including reviews that ran on your album in other publications or biographical information.
iTUNES "TELL A FRIEND"
You can send album reviews or playlists or iMixes to anyone within iTunes via the iTunes "Tell A Friend" option. Just click on the "Tell A Friend" link in the iTunes store (located next to the album art), enter an email address and iTunes does the rest. This is a great way to communicate with fans that signed up for your email list that you have a new album or song out.
COVERS ATTRACT ATTENTION
If you covered a song, be sure to foreground it. People that shop within iTunes search for specific songs they know. If you choose to do a cover of a song, it will increase the possibility of someone discovering your band. Once they hear your cover, they will probably be more inclined to learning more about you and listening to samples of your other music.
In addition, Cover Song iMixes are quite popular, and you might find others include your song in their iMixes.
Back to topPhysical Press and Media Promotion
A great way to draw attention do your music is the press: national and regional physical print publications like Rolling Stone magazine, USA Today, Magnet, Alternative Press, Gramophone, LA Weekly and so on. To get reviewed or featured in any of these publications, you must first get a copy of your album to the editors, staff writers or freelance writers.
There are some general rules you'll want to observe:
STREET DATE
Before you even approach the press, you need some key information about your album The date that your album first becomes available to buy in retail outlets is called the "Street Date" of the album. If your album has already been released, the street date has passed.
LEAD TIME
Most of the large, influential magazines that review and cover music come out monthly, and they finalize their content four months before they plan on running it. This is called the lead time. For example, in the month of January, monthly magazines are working on the issue that comes out May. If these monthly magazines have your album four months before it is "released" (made available to the general public), it's more likely to be reviewed. Remember, these magazines want what's new, hot, fresh, "just out." For the most part, they won't review an album after it has already been available to buy in retail stores for any extended period of time.
Different types of publications have different lead times. For example, The New York Times, a daily newspaper, does not need four months lead time, whereas Spin magazine probably does.
THE PRESS WANTS TO KNOW WHEN AND WHERE YOU'RE PLAYING
Going on tour or playing a gig (even in your home town) gives press another reason to review your album or talk about your band. Identify the local weekly and daily publications in the city you are going to play in. Contact them to find the correct person at the publication and mail them your albums (or point them to where your music lives online). Be courteous and provide three to four weeks of lead time before the gig. Also, ask the person that booked you to play for a list of local press. They usually have one. TIP: The person that booked the gig wants press about you, as it might increase the number of people that come to see you play.
THE POWER OF YOUR MAILING LIST
Keep an up-to-date mailing list of names and addresses of appropriate publications where you want your album noticed. A comprehensive and accurate mailing list takes a lot of work, but it's one of the things that separates the successful artist. Some ways you can compile your own list:
- Identify which magazines, fanzines and publications are best for your music. Start with your own reading list, and also go to a few book and magazine stores, see what magazines and publications are on the rack and write a list of the publications you think make sense.
- Then go to the masthead (the section almost all publications have that lists the writers, publishers and editors, usually near the front) and find the names of the people that run the magazine and what each person does. If there is a reviews editor, that's probably the person you should target. Mail him or her your album.
- Look in the magazine and see the names of the people that wrote the reviews. You can then call the publication (the number will be in the masthead) and ask for the mailing address of that writer. TIP: Not all writers are full-time staff for any magazine. Some are freelance writers that are hired by multiple magazines to write reviews and provide articles and features. So you need to do more than just mail a CD to a publication in the name of the reviewer, or it might not make it to the writer.
- Many of these magazines also have we websites as well as email address contacts. Simply send an email to the correct recipient and ask the submission policy.
IMPORTANT: You will always get further by learning and following a publication's submission policies. Overrule them, and your music may never reach the right ears.
The Net is also a great resource. You can use places like http://newslink.org/news.html and http://www.yudkin.com/resources.htm to identify lists of all local and regional press outlets.
If you hire a publicist, they will have an up-to-date list of where to send your albums. They will either mail it for you or provide you mailing labels showing where to send your album.
PUBLICISTS
Publicists are experts you hire to promote your band and music to media and press outlets. It's their job to get writers and editors to listen to your music, learn who and what you are and (hopefully) have them write about you. Remember, a publicist can not guarantee reviews or coverage. The best you should expect is that they can get a writer or editor to learn about you, listen to your music and provide them reasons as to why they won't write about it.
Publicist will send you reports. Depending on the publicist, these reports will be provided to you each week, every two weeks or every month and will list all the activity, comments and results regarding your project in the press world. As things get updated, the report should reflect any additions or changes. If you are paying for the clipping service (a third-party service that scours all print publications for mention of your band), the publicist should also provide you copies of any all press.
A publicist will usually charge you a monthly fee and request a minimum number of months to work on your "project." Fees can range widely but tend to fall between $750 and $5,000 a month. Most publicists require a minimum commitment of three months, as they need time to properly set up and promote your album. Some publicists might be willing to charge you a flat one time fee, called "Life Of Project," rather than a monthly fee. Life Of Project fees can also range widely but tend to fall between $1,000 and $4,000.
In addition to these fees, most publicists also charge you expenses, which can vary a bit from publicist to publicist but tend to include:
- Cost of their local phone charges
- Cost of their long distance charges
- Internet connection fees
- Photocopying
- Mailings and postage
- Travel
- Third-party services that scour all print publications for mention of your band (called "clipping services")
- Messenger charges
- ...and more
Expenses can run anywhere from $150 to $1,000 a month, depending on the level of activity.
TIP: Most of the time, a publicist will be working on more than one artist or project. Be prepared to "work" your publicist to get them to "work" others.
A short list of some recommended publicists:
- Team Clermont: http://www.teamclermont.com/index_site.html
- Big Shot: http://www.bighassle.com/publicity/index.html
- Tag Team: http://www.tagteammedia.com/company_info.htm
- Girlie Action: http://www.girlieaction.com
- Shore Fire Media: http://www.shorefire.com
- GoodCop PR: http://www.goodcoppr.com
- Fanatic Promotion: http://www.fanaticpromotion.com/mediakit.pdf
WHAT TO MAIL
Although the Internet does allow the ability to email songs and albums, almost all print magazines and publications require a physical copy of your album. When you mail the CD to the writers and editors of any publication, it should contain:
- a full-art CD
- a completed, mastered and sequenced final version of your album
- one sheet of paper including:
- the name of your band
- the name of your album
- some biographical information on the band
- any other key press points
- contact information
- street date
More coming soon!
